One Day I’m in Russia And the Next In Germany

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I’ve been rehearsing all week long for two plays that I’m involved in. “Taking Sides” and “Voices From Chornobyl” (I just built the website for it, check it out) two plays that are historical and that are heavy.

I have been rehearsing each day rotating the plays. One day I’m in Russia in 1986 and the next day I’m in Berlin, Germany in 1946.

My head is spinning and I just want to cry for all the people, for all those in the unknown, for all those who suffered. I want to scream, and wail after some of the rehearsals. And I want to shut everything out at times.

But I love what I’m working on! I love that I feel so alive that I can feel so much! I love the emotions that come up during rehearsal and during research.

Tomorrow I’m back in Russia and Sunday in Germany again. What a week! What an adventure! What a journey! I’m glad to be alive and healthy!

Careful What You Wish For….

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I say to be careful what you wish for.  In more grammatically correct terms, be careful for what you wish. 

 If you wish and work hard enough, you will get it.  {Warning: loosey goosey feng shui buddhist terminology follows} If you are clear enough when you speak to the universe, you will get what you want.

Months ago I realized that my “Placeholder Job” of Recruiting wasn’t the right place for me to work.  I took a long hard look at what I want to do with my life and narrowed it down to 3 points of focus: Directing, Writing & Educational Theatre (which combines the first 2).

I set off!  (Darnit, another dangling preposition)

Realizations which I made:

Researching Writing jobs, I realized the obvious: no one pays you to write without a portfolio.  Would you hire an actor without a resume?  Folks in TV can afford to leave that question rhetorical.

Researching Directing jobs, I re-realized that  I’m still on a path.  It’s a good path, and I enjoy the path.  The path is still long and arduous and requires introducing a few more theaters to the concept of spike tape, but it’s an upward path nonetheless.  I made some adjustments to my attitude towards that path and the different roads I could take and what supplies were needed and as soon as I exhausted that metaphor, moved on to my next point of focus.

Educational Theatre is something I always loved.  I ran a couple of Drama Camps in Boston and Santa Clarita, and worked harder than I ever have to make them the best experience possible for those kids.

Then I realized that the job I loved the most was working as a Mentor for the Speak To Me program through CTG.  This was when I was an AEA Stage Manager, and two years in a row I mentored an SM-to-be while continuing to coordinate everything regarding the production.  It kept me up nights.  I had all of the regular show duties and paperwork and had to find time to fill out the Program paperwork/evaluations and also train an assistant.  I bought Frapuccinos (sp?) for all of my crew and was never happier to be at Starbucks at 5am on a Tuesday morning.  Did you know they take orders in advance?. 

So I gave my notice and began the pursuit of working in Educational Theatre.   Thinking I would be working after-school and need to supplement my income, I also pursued tutoring and teaching outside of LAUSD, or “The District” as we like to call it here in the not-for-profit educational world.

Roughly a month after I started actively seeking a new job, I was offered the position of Theater Coordinator for Safe Moves, (www.safemoves.org) and will soon begin coordinating, running and directing plays with middle school students. 

I was a little unsure at first, and then I realized my quandry: I was contemplating the reality of combining what I love with how I make money.

It wouldn’t just be a Placeholder Job. 

It wouldn’t even be a Day Job.

It wouldn’t even be just a job to pay the bills.

I would enjoy it. 

It’s what I’m good at.  (It’s at what I am….oh, screw grammar)

I strongly believe in the power of theatre to educate.  There are so many facets to this position that are fantastic, and I actually believe I’ll be working there for a long time, happily.   I will continue to Write & Direct outside of my *J*O*B*, but I will pursue my job with as much vigor as I pursue performances.  Because my job will be a series of performances.

Genius.

Why didn’t I think of it sooner? 

Work at what you love.